Unwanted Dead or Alive
A review of the play
by Gwynne Hunt
I first read Elizabeth Hudson’s book, Snowbodies, a coule of year’s ago. I reviewed it for the print Rag and we began to communicate back and forth by email. The book was an excellent story of Elizabeth Hudson’s life on the streets as a sex trade worker and an addict. Very powerful.
Last spring Elizabeth decided to write a play to put in Art Matter’s Festival of Artistic and Creative Expression in June 2009. My theatre company, the Penny-a-Line Players produced this work. I do have to congratulate myself on casting Gai Grown Evans in this hard-hitting one-woman show, as not many actors could carry off 20 minutes on-stage talking to themselves.
Elizabeth set the scene with a woman at a bus stop waiting for a bus, talking to an unseen stranger who keeps asking her questions about why she is nervous. The character unfolds the story of her life through memory and pain. It would be a tough play to do for any actor but Gai held the audience captive with her intense portrayal.
The script itself unveils the reality that you can walk away from your past but it is always with you. The character at the bus stop suffers from post traumatic stress from her life on the streets. She reveals an encounter with Willy Picton (convicted murderer of women from Vancouver’s Downtown Eastside) and that revelation is a chilling reminder of how close she came to death.
This was Elizabeth’s first play, and I look forward to more plays from her; she has an amazing story to tell and it plays out well on the stage. Works like Unwanted Dead or Alive strengthen the cause of ending violence against women.
